401 lots, mostly figurines and small sculptural groups from LFZ, Dulevo, Polonne, Kyiv and other Soviet factories. The sale is held online on the Don Foundation website: every lot opens at 1 ₽ and goes to the highest bidder – there is no reserve price in this sale.
The catalogue holds 401 lots. Almost all are figurines and small sculptural groups; there are also pairs and sets, two inkwells, an ashtray, a candlestick, a plaque and a tray. Of the 401 lots, 366 were made by factories that operated in the USSR. LFZ is represented by 72 lots, the Polonne Art Ceramics Factory by 62, the Dulevo factory by 34 and the Kyiv Experimental Ceramic and Art Factory by 23; factories of the Ukrainian SSR together account for 117 lots. The other 35 lots are not Soviet-made or not porcelain: ten lots each from Germany and China, one or two pieces each from other countries of Europe and Asia, a 19th-century tray from the Gardner factory, items in bronze and other materials, two tin tea caddies and V. A. Popov’s book “Russian Porcelain”.
The descriptions of more than 260 of these 366 lots give a year or decade of production. Of the dated lots, about 200 come from the 1950s–1960s; there are also pieces from the 1930s, 1940s, 1970s and 1980s, and two Gzhel lots date from the 1990s. The subjects are fairy tales and literature (characters from Gogol and Pushkin, Bazhov’s Ural tales, Kotliarevsky’s “Aeneid (Eneida)”, Tumanyan’s “Anoush” and Tvardovsky’s “Vasily Tyorkin”), childhood, dance and ballet, peoples of the USSR in national dress, sport – skiing, skating, hockey, football, boxing, tennis, swimming – and animal subjects.
The descriptions of almost half of these lots name the sculptor who created the model. The sculptors include Sofia Velikhova, Galina Stolbova, Boris Vorobyov, Efim Gendelman, Asta Brzhezitskaya, Nina Malysheva, Pavel Kozhin, Alexei Sotnikov, Oksana Zhnykrup, Vladyslav Shcherbyna, Anatoly Kiselyov, Tamara Fyodorova and Olga Artamonova. Most pieces are porcelain with overglaze painting, gilding and lustre; the Konakovo Faience Factory lots and some of the Yerevan ones are faience, and four lots are biscuit. The factory, date and sculptor are given as stated in each lot’s description.
Founded in St Petersburg in 1744, the factory bore the name of Mikhail Lomonosov from 1925 to 2005 (its wares were marked “LFZ” from the 1930s) and in 2005 regained its historic name, the Imperial Porcelain Factory. The lots include 1950s–1960s figures after models by Sofia Velikhova, Galina Stolbova, Boris Vorobyov and Efim Gendelman.
A factory in Polonne (Khmelnytskyi region, Ukraine): from 1927 the Keramik industrial artel, from 1956 the Polonne Art Ceramics Factory, marked “Polonne ZKhK”. It made small-scale porcelain sculpture – folk and literary characters, children and sport – and some of its models came from the Kyiv Experimental Ceramic and Art Factory.
Founded in 1832 by the merchant Terenty Kuznetsov at Dulevo (now Likino-Dulevo, Moscow region); in Soviet times it was the Dulevo Porcelain Factory named after the newspaper Pravda. The lots include models by Asta Brzhezitskaya, Nina Malysheva, Pavel Kozhin, Alexei Sotnikov and Olga Bogdanova.
Founded in Kyiv in 1924 as an experimental workshop for ceramic paints; art porcelain production was set up in the mid-1940s, and the factory later moved to Vyshneve near Kyiv. Sculptors Oksana Zhnykrup, Vladyslav Shcherbyna and Olha Rapai worked here; production ceased in 2006.
A Leningrad enterprise separate from LFZ: in the early 1950s the experimental plant of the GIKI ceramics institute, in 1956–1967 the Leningrad Porcelain Works (mark “LZFI”), later the Leningrad Experimental Plant (LOZ). Most of its figurines date from the 1950s–1960s; the lots include models by Anatoly Kiselyov and Tamara Fyodorova.
The Sysert factory (Sverdlovsk region) grew out of a ceramics artel set up in 1928; from 1960 to 1977 it was the Sysert Ceramic Products Factory, and from 1977 the Sysert Art Porcelain Factory. The lots include characters from Pavel Bazhov’s Ural tales, such as the Mistress of the Copper Mountain and Danila the Craftsman.
The Khudozhestvennaya Keramika (Art Ceramics) artel was formed in 1937 in the village of Turygino (Ramenskoye district, Moscow region), became the Turygino Porcelain Factory around 1960 (mark “Gzhel TZ”) and joined the Gzhel production association in 1972. The lots include models by L. P. Azarova, N. B. Kvitnitskaya and T. N. Sapozhnikova.
A factory in Korosten (Zhytomyr region, Ukraine) founded in the early 20th century by the entrepreneur T. K. Przybylski; it had stopped production by 2012, and bankruptcy proceedings were opened that year. The lots include figures from the “Aeneid” series (after Ivan Kotliarevsky) and the “Sorochyntsi Fair” series (after Nikolai Gogol).
A factory in Verbilki (Taldom urban district, Moscow region) founded in 1766 by Francis Gardner; nationalised after 1917 and known as the Dmitrov Porcelain Factory (DFZ; one of its marks reads “DFZ Verbilki”), it has operated as Farfor Verbilok since 1991. Lots described as “Dmitrov” and “Verbilki” come from the same factory and include models by Olga Artamonova and Sergei Orlov.
A factory in Horodnytsia (Zhytomyr region, Ukraine) founded in 1799 by Prince Józef Klemens Czartoryski; from the 1930s it made tableware and small-scale sculpture. Production stopped in 2008, and the factory was declared bankrupt in 2012.
The Vozrozhdenie porcelain factory opened in the village of Bronnitsa (Novgorod region) in October 1966, set up from a workshop of the Proletariy factory; it made souvenir porcelain – cobalt-blue tableware and small figurines – and ceased operating in 2004. Lots from the 1940s–1950s are older than the factory: they were made by local production, and the description of one of them names the district industrial works (raipromkombinat). Not to be confused with the town of Bronnitsy near Moscow.
The Yerevan Faience Factory produced figurines designed by Armenian sculptors: Tereza Mirzoyan’s “Ballerina” (1956), Vahan Teruni’s characters from Hovhannes Tumanyan’s poem “Anoush”, and “David of Sassoun” by Arto Chakmakchyan and Vahan Stepanyan (from 1960). Examples of its work are held by the Yerevan History Museum.
A factory in Pesochnoye (Rybinsk district, Yaroslavl region): founded in 1884 by the merchant P. A. Nikitin as a brickworks, it made porcelain and faience from 1885 and passed to the M. S. Kuznetsov partnership in 1894; in Soviet times it was the Pervomaisky Porcelain Factory. Production stopped in 2012 and the factory was declared bankrupt in 2013.
Founded in 1809 in the village of Kuznetsovo, Tver province (now the town of Konakovo); named after Mikhail Kalinin in the 1920s, with an art laboratory opened in 1934. Lots from this factory are faience, not porcelain.
A factory in Baranivka (Zhytomyr region, Ukraine) founded in the early 19th century by Michal Mezer (sources give 1802 or 1804); it ceased to exist in 2013.
The former Riga works of the Kuznetsov family (from 1922 the joint-stock company M. S. Kuznetsov), nationalised in 1940; from 1946 the Riga Porcelain and Faience Factory, merged in 1963 with the former Jessen factory and renamed the Riga Porcelain Factory (RPR) in 1968. Its successor, the joint-stock company Rīgas porcelāns, was declared insolvent by a court in 1996, and the works closed in 1997.
A Minsk enterprise that grew out of a tile works founded in the 1880s; on 15 March 1951 it was renamed the Minsk Porcelain and Faience Factory, and from 1961 it operated as the Minsk Porcelain Factory. It closed in 2009.
Factories represented by five lots or more. Lot counts are based on the lot descriptions.
This is a selection from the catalogue. All 401 lots, with photographs, are on the auction page; the catalogue is open to everyone, and you do not need to apply to view it.
Lot 242
Lot 264
Lot 279
Lot 157
Lot 335
Lot 282
Lot 58
Lot 143
Lot 217
Lot 182
Lot 218
Lot 215
Lot 8
Lot 395
Lot 276
Lot 63
Lot 339
Lot 11
Lot 263
Lot 151
Lot 67
Lot 181
Lot 148
Applying and bidding are free. You pay only for the lots secured for you when the sale ends: the invoice covers their price and the delivery.
Apply on the website and confirm your email with the link in the message we send. Once your application is approved, you will receive an email with a personal sign-in link: you can place advance bids, and on the day of the sale you bid as the auctioneer offers the lots one by one.
No. There is no reserve price in this sale: every lot goes to the participant who places the highest bid, from 1 ₽ upwards. The auction house does not place bids of its own. If a lot receives no bids, it stays unsold.
1 ₽ is the starting bid that opens the bidding on each lot. From there the price is set by the participants’ bids: there is no reserve price in this sale, and the lot goes to whoever offers the highest amount.
Yes, once your application is approved and your email is confirmed. An advance bid immediately becomes the lot’s current price and takes part in the sale. It is a fixed amount, not a ceiling: if it is outbid, you place a new bid yourself. You do not have to follow the sale as it happens.
The lot’s current price goes up and the “Your bid is leading” label disappears from the lot. Bids are not raised automatically: to continue, place a new bid. During the sale, a bid in the last 30 seconds resets the lot’s countdown to about 30 seconds, then a “3, 2, 1” count before the hammer falls; the auctioneer may bring the hammer down before the countdown ends, so respond promptly. Decide in advance how far you are prepared to go.
Payment is made after the sale. You will receive an email listing the lots secured for you, with a “Give the delivery address” button. The address is needed once: all your lots travel in one parcel. We work out the delivery and issue one invoice – the price of the lots plus delivery. Once it is paid, we ship the parcel; the order status is shown on the results page.
Every lot in the catalogue has a photograph. The factory, date and sculptor on this page are taken from the lot descriptions, where they are given. To ask about the condition of a particular lot or to arrange a viewing before the sale, contact the Don Foundation specialists.
Yes. The sale is held online, so you can take part from any city – all you need is internet access. The delivery cost is calculated for your address after the sale.
By phone or by email – the contacts are at the bottom of the page – or in Telegram. If you have an account on the website, you can also write to us in the chat. We will answer questions about the lots, the terms of the sale, payment and delivery.
Applying is free: you pay only for the lots secured for you when the sale ends. Once your application is approved and your email is confirmed, bidding opens for you – you can bid in advance, without waiting for the day of the sale.